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This song is a celebration of automobile admiration, a meditation on the features of a whip that draws passerby attention. As the title implies, Kanye West’s “Drive Slow” is meant for “crawlin’ like a caterpillar” as guest lyricist Pall Wall states in his verse. Some driving songs aren’t meant for the highway but for the strip. A dizzying ode to consumption and doing whatever-the-fuck, this hit was ready-made for the car and a heavy foot on the pedal, just be sure you’re not actually on the things that ScHoolboy Q and A$AP Rocky are rapping about while you take your car out to this song. Out of all the songs on this list, Schoolboy Q’s “Hands On The Wheel” has probably encouraged the most reckless driving (and reckless behavior for that matter). ScHoolboy Q – “Hands On The Wheel” (Feat. Set to a smooth and laid-back Johnny J beat, 2Pac sets the mood from the jump: “Picture me rollin’ in my 500 Benz.” For anyone that made it to be behind the wheel of a fine automobile despite the naysayers (i.e. His album All Eyez On Me was the result of that cathartic release, and shrouding just about every song on the sprawling double-disc classic was a middle finger: “Picture Me Rollin'” is one of those songs. When 2Pac got out of prison on a bail paid for by that of Death Row records, he had a lot to say and did it in a very short amount of time. We decided it would only be proper to list some of those songs out for your glass house enjoyment.
#TOP TEN RITTZ SONGS FULL#
This song carries the tradition of other great tunes that are ready-made for a full tank of gas and somewhere/nowhere to go. With the blessing of Mike Posner’s hook and production, Rittz done fucked around and made a car-driving anthem with the single “Switch Lanes” from The Life And Times of Jonny Valiant. Williams’s piece is an incredibly optimistic way to end Philosopher’s Stone and Chamber of Secrets. It’s a hopeful and lively theme that demonstrates the lightness and joy that filled the first couple of movies. This always brings to mind happy images of Hogwarts. The fantastic build-up and crescendo never fails to make me empathize with Harry’s loss. The slow and poignant melody really captures the sense of longing that Harry would have felt at learning about his family. The addition of the choir intensifies the tragedy of the scene. Nicholas Hooper’s eerie melody expresses the morbid and tragic tone of the Half-Blood Prince film’s end wonderfully.
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Once more, Desplat is toying with our emotions.
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#TOP TEN RITTZ SONGS MOVIE#
The beat also matches our pounding heartbeat, which captures the fear presented in the movie wonderfully. The rhythmic beat is fitting to the typical marching sound associated with battle. This beautifully rhythmic piece plays during the preparation for the battle, and the steady beat shows that. Gone are the happy melodies of earlier films the fearful and tragic start encapsulates the tone of the final two movies perfectly. The emotive music highlights the sadness and darkness of Hermione wiping her parents’ memory. Alexandre Desplat’s song is a hauntingly beautiful way to start Deathly Hallows – Part 1.